Drive Movie 2011 Ryan Gosling ( HD Online )

Drive Movie 2011 , nameless hero of the Dane Nicolas Winding Refn "Drive" (as was Ryan Gosling), the stations. That's all he does. He leads the stuntman in Hollywood films, including work in the garage. And, oh yeah, it's also pretty good for a driver fleeing robbery in the city, too, but only if you play by its rules. Based on the novel by James Sallis, "Drive" is determined, without the excesses of these types usually found in Hollywood movies. Refn, who previously directed "Valhalla Rising" and "Bronson" (Tom Hardy) and the trilogy, "Pusher", has created a hero kind and sure of himself that oozes cool. The driver is a guy who does not mind having as a friend, but man, you do not want this guy as an enemy.

Our hero lives in what could be called a Spartan existence. When not driving a car in Hollywood films, working in the garage, according to a guy named Shannon ("Breaking Bad," Bryan Cranston), a former stuntman was still dreaming of something big happens. That social life goes on, the driver spends a lot of time alone, until she meets a neighbor Irene (Carey Mulligan), a single mother, a young boy. Irene has a husband, the Standard (Oscar Isaac, "Sucker Punch"), but is currently a common - although his time is about up. Meanwhile, the time the driver of Irene, and it is these sequences that Refn allows you to develop the natural chemistry between the two. When the driver finally makes his move, is inside the elevator with a beautiful scene of a sudden change in the time ridiculously short time later.

Carey Mulligan and Ryan Gosling

Now out of prison, Standard, first upset the driver to spend time with his old lady, who will soon need his neighbor can help out of debt. Driver agrees, and is involved in a rapidly growing number of violent meetings. Meanwhile, the dreams of racing with some gangsters shaded Shannon (played by calmly villainy Albert Brooks and his partner, Ron Perlman) is also forcing their way into the career of the driver, but two additional problems for our hero terse to sort. He does it with a cold distance, armed with an ice-confidence and of course a smart jacket with a scorpion emblazoned on the back. When you can make a jacket because it works in Los Angeles, let's face it, you can do almost anything.

"Drive" is brutal, violent and realistic, that has a style to burn, but also has a heart of truth. The scenes of the pilot are very romantic Irene, with Gosling and Mulligan put a lot of heat without saying much. Long looks, smiles, and act just goes a long way. There are some great works of the support team, especially in the Shannon Cranston down-on-his-luck, with Brooks and Perlman very effective as the criminal element that makes the violent side of the driver. And "Mad Men" Christina Hendricks makes a brief appearance, but memorable. As might be expected given the occupation of the hero and title, "Drive" has a couple of suits smart cars, but, surprisingly, is outside the vehicle that the film really excels. Or maybe you've seen car chase too many need much to really get me excited.

Ryan Gosling in the unit (2011) Movie Image

I have not really seen many Gosling could swear by the talents of the boys, but "Drive" is a great showcase for him. The coldness with which driver runs its business is fascinating, and Gosling plays the part I'm having a hard time imagining that they do not have this Scorpion jacket in the future. Which brings me to the direction of Nicolas Refn spiral. It is hard to overstate what a fantastic job done with Refn all facets of film music video for black vibrant atmosphere. "Drive" looks, feels and sounds great from beginning to end, all elements of the film selected for maximum effect. The excellent, brings us back-ish soundtrack that is synth pop in a more than bearable, which adds even retro vibe of the movie certainly does not hurt.

"Drive" is the kind of film I can see becoming a cult film, which would be disappoin

ting because it would mean he can not find an audience when it opens on Friday. Hard as it is to believe, but "Drive" could just be the most challenging film of the year, more than any big budget movies of comic books and movies with a gazillion times its budget. The film just sings (and beats ... and kick). Maybe he Refn European sentiments at work, giving a tour of a Euro classic American genre, making "Drive" so familiar and yet so different. Of course, Refn (with the help of screenwriter Hossein Amini) does not reinvent the wheel, but man, this guy does know how to do a version really, really good of him.